“ The need for documentaries that ask hard political questions is greater than ever, as the main TV producers and channels abdicate their responsibility. So many stories to tell, so few make it to the screen. Good luck to Tipping Point Film Fund.”
Ken Loach – film director and Palme d’Or winner
The world of the tipping point is a place where the unexpected becomes expected, where radical change is more than a possibility. It is – contrary to all our expectations – a certainty.
Malcolm Gladwell, Author of ‘The Tipping Point’.
Those at TPFF have a passion for Film & Social Justice in equal measure and our roots are deep in the social action campaigning world where, to understand the big issues affecting all of us, you need to dive deep into the structures that underpin them. We know film can help us to understand these big issues and we need your help to do this.
We Are Many is a film about a single day and its aftermath. It is the story of an untold chapter in the history of people power. By turns uplifting and chilling, it reveals both the power and potential of ordinary people, as well as the dark underbelly of the war machine. It also draws a connecting line from 2003 to the present-day global activist networks as well as the wave of citizen protests seen across the world, beginning with the Arab Spring.
This documentary is a personal story filmed over four critical years in the life of Bethlehem. This most famous little town also happens to be Leila Sansour’s hometown. She left it as a teenager, pledging never to return. But in 2004 she went home for Christmas. The journey changed her life.
Tipping Point Film Fund was the first film funder of We Are Many, in late 2010; it was a lead partner on a Kick-starter campaign that raised $92k for the production costs and it worked with Amir throughout the fundraising, production, editing and NGO outreach period.
Amir Amirani’s film We Are Many was in the research and making for more than nine years. It addresses the illegality of the invasion of Iraq and the subsequent undermining of democratic processes, set alongside the power of public protest and mass mobilisations of the anti-Iraq war movement – a movement that was to inspire the Egyptian uprising of 2011.
“The shocking truth,” The Economist, Aug 27th 2013
The numbers may be small but they are growing. In 2011 documentary films grossed £11m at the British box office. This was only 1% of the year’s total box-office takings but it was a six-fold increase on the year before. Moreover, while the budgets can be high they are still much cheaper to produce than studio features.
But why are audiences increasingly choosing fact over fiction? Perhaps the current dearth of realism (endless comic-book sequels and apocalyptic action movies) is forcing more discerning viewers to choose authentic storytelling over spectacular visuals and far-fetched plots. Documentaries such as “Blackfish” may also fill a gap in investigative journalism, as fewer newspapers and broadcasters invest in long-term projects.
Amir Amirani’s film We Are Many has been in the research and making for more than six years. It addresses the illegality of the invasion of Iraq and the subsequent undermining of democratic processes, set alongside the power of public protest and mass mobilisations of the anti-Iraq war movement – a movement that was to inspire the Egyptian uprising of 2011 and in turn, Occupy Wall Street.